Breakdowns are
unique pages offering detailed characters descriptions of acting roles.
They list the name of the project, it's type (film, tv,
commercial...), the characters' physics (male / female, age range,
ethnicity...) and other general information about the
audition (time, date, location, salary...).
Sides are unique
pages, usually taken out of a script in order to help the actor prepare
for the audition.
The sides are the most
important thing that helps the actor to rehearse the part. They are
usually sent by the casting office to the actor or to his/her
representative. In some cases the actor
can download them himself as a pdf or word format, and print them.
Many sites take money for this service.
You can more about actor breakdowns, audition sides, acting breakdowns, casting calls, movie auditions, TV auditions, theater, theatre, commercial, music video, and infomercial casting calls free of charge here.
| Agents | Breakdowns | Cover Letter | Open Calls |
| Auditions | Call Backs | Headshots | Resume |
| Avail | Casting | Managers | Sides |
| Casting Directors | Monologues |
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EXT CAR PARK - CALLE OCHO MIAMI - NIGHT CAMERA SWOOPS DOWN through the trees as a taxi pulls up in front of a mobile restaurant (Lonchera)in the car park. The area is roped off with festive lights and has clearly been the favorite local hang out for some years. Family and friends gather outside in groups around makeshift tables and chairs. The salsa music blares, kids are chasing dogs, and plates are piled high with Miami’s best Latin food. The action centers around ENRIQUE AND MARIA TORRES who are in their late forties. It’s their restaurant, built with their personality and sweat, over the years. The taxi pulls right up into the car park and GLORIA steps out of the cab. She’s hesitant, not completely recovered from her dog-food experience at Gama Gamma an hour ago. INSIDE THE RESTAURANT WAGON ENRIQUE sees his daughter and breaks into a big smile -- he calls out to his wife. ENRIQUE Well look who’s here.., our little chiquita Mia’s back. MARIA Yeah? something’s wrong. ENRIQUE No! Why does something always have to be wrong? She just come back to see her parents. She loves us. MARIA Go find out what’s wrong, I’ll take care of these orders. Enrique throws down his apron, steps out of the wagon’s kitchen, and greets his daughter with a big smile and a hug. ENRIQUE Bombon de chocolate, estas de vuelta! GLORIA Hey daddy. ENRIQUE It’s so good to see you. GLORIA Thanks, I need a hug right now. Maria looks over at Enrique from the kitchen and gives him that “I told you so” look. ENRIQUE Here, sit here at the family table. You want something to eat? GLORIA No! Nothing to eat! Enrique is taken aback by her response and tries to comfort his daughter. ENRIQUE Hey, hey, hey, you don’t like our food anymore? GLORIA No that’s not it, I love your food. That’s why I’m here. ENRIQUE But... you don’t want to eat any of it? GLORIA No! I’ll throw up if I eat anything. Gloria looks up at him with big eyes about to cry. Enrique sees he needs help. ENRIQUE OOh...Maybe your mother can help.... Maria? She’s beside them in a flash, Mothering Gloria. MARIA Hello baby. Come here, tell me all about it. Enrique watches them go to another table. ENRIQUE OK. I guess I’ll take care of those orders... |
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